THE CRAWLING

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There’s some great titles on this album and one is ‘An Immaculate Deception’ that possesses some tough and twisting rhythms with a deep dark grunting vocal that you can feel in your gut as it rips your intestines out! Moving on to the next track ‘Poison Orange’ I can almost hear the band laughing when they thought up this track title, but also can feel the harshness brooding as it plays out and leaks its venomous liquid through its vicious assault, and this is without being played fast. ‘Acid on my Skin’ speaks volumes from its title and will have you believe that it is toxic and caustic and of course you would be right to believe as its abrasive mark is made with a very potent vocal and large slices of darkened rhythms. ‘All Our Failings’ is a very imposing track that holds a lot of insatiable bait. It begins fast and then slows down to reveal that it can’t make up its mind if it wants to move faster or slower so you just have to go along with the flow, however, the track contain

Anatomy of Loss is the debut full-length from The Crawling, a trio of death/doomers hailing from Lisburn, Northern Ireland. The melancholy stylings of classic Paradise Lost are strong influences here, so you should have a good idea of what to expect. There isn’t anything groundbreaking about Anatomy of a Loss, but lyrics, tone, and instrumentation all come together to create a solid expression of mourning as expressed in the album’s title and the “dedicated to” section of the liner notes. Guitarist Andy Clarke does a good job of blending tremolo death riffs, single-note doom riffs, and dissonant chord progressions, making for songs that are varied enough to stay interesting without losing the depressing, bleak edge that is the album’s theme.  “All Our Failings” and a few other sections get a bit groovy, which throws off the downcast vibe a bit, and there are a few transitions that are slightly jarring, but highlights like “An Immaculate Deception” and a re-recorded version of “Th

Anatomy of Loss is all about mixing black metal vocals & that feeling of cold isolation with doom-laden riffs & beats. An Immaculate Deception brings all those sounds & adds a dirty, raw sound resulting in a strong opener. Let down only by its length, it gets a bit repetitive after a while. Poison Orange is a serious cut above though, its riffs dipped in the blackest tar & vocals ripped straight out of the devil’s mouth. This is some seriously doom-heavy stuff & even when things are sped up it just results in an even harder sound. What makes Anatomy of Loss such a surprising listen though is the variety in music on show. Acid on my Skin has a lovely upbeat melody only changing stance to a heavier effort during the choruses. It’s got some of the best drumming on the entire album & the vocals are simply amazing here. A hell of a song, a hell of an album. The variety continues with the stunning All Our Failings & The Right to Crawl. A duo that keep things me

Before I go to sleep at night, reading is typically the last thing I do. The current book is Don't Try This At Home by Dave Navarro. There was a conversation in that book about Steve Vai . Mr. Vai is a very divisive figure in the musical world. That's not to be meant as an insult. It's just that there are a few camps here. Many folks, even some instrumental bands I've interviewed, have said how do you connect to Steve Vai? The prevailing opinion amongst them is that Vai is simply flexing his muscles for 90 minutes each night. Well this is something that a goodly number of metal bands do each night. There's the constant blast beats that run concurrently with the unchanging demonic vocals. Distort the bass from note one and what we have is a preening tosser on the beach. For the record, anyone who thinks that about Steve Vai simply hasn't heard, they may have listened, but haven't heard. Anyway, The Cawling hail from one of the four countries in the United

ANATOMY OF LOSS is the debut album from the semi-sober Irish death metal band THE CRAWLING. A promising band with an even more promising album. After the release of their three track EP IN LIGHT OF DARK DAYS, I have been looking forward to hearing this record. In terms of style and sound, this album is very much more of the same. There is a vast selection of death metal riffing, each one being as catchy as the other thanks to having more emphasis on the rhythm rather then following the idiotic trend of how fast and extreme they could play. When the group aren’t thrashing out on their instruments, they are playing slow heavy chords that is best described as doom metal. These songs start off slow (a little too slow for my personal taste) and had they been a little longer, they would have been a little tedious. But THE CRAWLING seem to have enough common sense to realise that each song requires a good hook and just when things slow down, they burst into life with some mean riff. Both st

This is a new experience to me but as soon as I randomly start listening to 'An Immaculate Deception & 'Acid On My Skin' I'm fuckin' excited 'cause this is hard hitting quality doom metal but at the same time it does not leave you waiting for world doom part 3. It's aggressive,punchy,catchy and all you want from a good album really,I forgot to mention brutal 'cause it is at times ,like a mix of death metal and doom metal, I guess it depends on how you see it. Anyways, 'Anatomy Of Loss' is suitable for most occations, I'm having a small party now and when I out out of a sudden decided to try this one the party suddenly moved to the next level and everybpdy seeems satisfied. What you get is 7 long lasting tracks from 5-9 mins and value for every penney, and by the way it's spinning for the second time now by popular demand. The Crawling is a band who knows what they do and leave nothing to coincidences, it's professionally excecut

The Irish extreme metal scene is bustling at the moment, as anyone who’s witnessed a raft of excellent acts making the short hop across the water to perform at the UK’s most eminent outdoor extreme metal festival, Bloodstock Open Air in recent years, will gladly testify. Last August one of the acts from the Emerald Isle to really make their mark at Catton Park was The Crawling. Remarkably for relative newcomers, The Crawling also managed to secure an invite to perform at Inferno in Norway, so one way or another they’re own brand of blackened death/doom has reached a wide audience over the past 12 months. Now is the time for us to further familiarise ourselves with this Lisburn-based trio through the release of their eagerly anticipated debut album Anatomy of Loss. Having had a couple of singles already under their belt, any flaws have by now well and truly been ironed out and The Crawling are not pulling their punches with this release, the handling of which is being managed by Grind

If you remember Bloodstock last year (it’s okay we were all drunk too) you will know I had the pleasure of interviewing the most un-miserable bunch of Irishmen in existence to play the Newblood Stage, The Crawling . At that point they hinted of exciting things to come, so let’s find out what they have been up to. Nice to speak to you lads again! I hear there are lots of exciting things going on in The Crawling camp. Last year at Bloodstock we had a good old gab and you mentioned that when it was winter and it was dark and miserable a new album would be coming out, and I see now there is a release date! Now, you mentioned that the album was pretty much written at Bloodstock last year so it has been a wee while in the making. Was that intentional? Not entirely. We were working on the final 2 tracks around Bloodstock time, and to be honest they took a bit longer than expected to get nailed down. The structures were sorted, and we’d been playing them live; but when it came

Video teaser for " An Immaculate Deception " Full video will be online on facebook Thursday 23rd Feb 2017 at 14:00 GMT (along with a special gift for everyone!) Stay tuned, stay miserable... YouTube link: https://www.youtube.com/watch?v=jsJd5Pf68As Album pre-order: https://thecrawlingband.bandcamp.com/

The agonies of life, the pain of loss, the morose mundane existence of 21st Century life - yes The Crawling haven't released a happy clappy début album full of soaring choruses and posed pretentiousness with 'Anatomy of Loss'. It is sourced from living in a bleak commuter town pretending to be a city; concrete corrosiveness and a stark pretentious populace blithely living in a bubble of hyper-normalisation, consumerism, avoiding reality lest it intrude on their narcissistic lives. Andy, Stuart and Gary have produced an album ridden with pain, as they say on 'Poison Orange' the sense of "drowning in horror" pervades each tortured note. If there is hope to be taken from this album, it is only the almost cathartic realisation that others share your loathing for what passes as civilisation. Musically doom, sludge and bleak metal have been absorbed into a sensibility where the despair on "Acid On My Skin" is the most 'cheerful' sounding track

The Crawling are a band from Northern Ireland that has been featured before in this zine and plays a mixture of doom and death metal with some black metal touches and this is a review of their 2017 album "Anatomy Of Loss" which will be released in April by Grindscence Records. Melodic riffing and spoken word parts start off the album and you can also hear all of the musical instruments that are presented on the recording and after awhile death metal growls along with a few black metal screams make their presence known on the recording and the solos and leads also use a great amount of melody. Some of the tracks are very long and epic in length while the slow riffing is very heavily rooted in doom metal along with a great amount of early 90's influences and as the album progresses clean playing can also be heard in certa

With a massive and overpowering sound, The Crawling comes out with Anatomy of Loss, their brand new upcoming seven track release. With the combination of death and doom metal as well as some dismal atmospheres, The Crawling creates a sound that is bitter, melancholic, angry, twisted and more and it all strikes at the heart of the listener. The sound is unmistakable and unavoidable once you press play, and as soon as you do you end up getting wrapped up in abyssal clouds of atmosphere and dark, dense and heavy death metal riddled doom. The Crawling begin Anatomy of Loss with An Immaculate Deception which hits you square in the chest with anvil heavy riffs and sledgehammer drumming and from then on the tone is set for the rest of the record. After the first few minutes of this release you understand just how heavy and monolithic it really is. Anatomy of Loss is a crushing release that engulfs you in bitter darkness for the entirety with not a single ray of light at the end of the aby

*EXCLUSIVE world premier of our new single "An Immaculate Deception" will be played tonight on Metal Messiah Radio by DJ Daryl Smith .* Listen online here: http://www.metalmessiahrecords.com/ - UK time: 10PM - 12AM - EST: 5PM - 7PM ++ Debut album: PRE-ORDER: https://thecrawlingband.bandcamp.com/ ++

https://thecrawlingband.bandcamp.com/merch PRE-ORDER now online - click here "Anatomy Of Loss' is now available to pre-order through our bandcamp . Not only that, but a new range of merch is available and reduced price bundles! Pre-Order only, and will be shipped in and around 7th April 2017. Limited period ONLY. Please share to spread the misery!

We are pleased to announce the release of our debut album "ANATOMY OF LOSS," 7th April 2017. The album features 7 tracks of misery and loss, spanning over 46 minutes. The artwork was created by none other than Travis Smith from Seempieces | Illustration & Design by Travis Smith , and looks fantastic on the 8 page jewel-cased booklet. It is released through Grindscene Records , and will be available through the usual outlets. Pre-orders will go on sale soon, and accompanying album merchandise will follow. Please share and spread the misery!

PHOTO CREDIT: ©  Darren McVeigh /Uber Rock. ... A quick trip to the bogs and the bar, in that order, fills the changeover time before headliners The Crawling create a mood darker than the venue’s black-painted walls but joyous enough to welcome the sunshine of the next morning’s mid-winter dawn a few hours early. Mainland readers might be familiar with the band’s name from their absolutely crushing set on the New Blood stage at last summer’s Bloodstock (funny how the Irish bands, from both sides of the border, absolutely destroyed every other act on the bill that weekend). For those unfamiliar with them, however, this dark destructive force deliver doom-infused deathly riffs heavy enough to wake the slumbering giant on the hill which overlooks the city, coupled with huge, gristly, throbbing rhythms with loads of fat on them, coupled with gnarly, growling harmonies driven by behemothic blastbeats that at times defy the laws of physics in their psychotic speed combined with practis