Skip to main content

LIVE review: Limelight II - 03/09/2016 - Belfast Metalheads Reunited



A smoky and atmospheric intro heralds the arrival of doom/death metal headliners The Crawling,
who – once the smoke clears – are instantly engaging, particularly vocalist/guitarist Andy Clarke, who is all intense glares and mesmerising charisma, with a voice straight from the bowels of Hell.

Their richly textured songs combine both slow and fast sections – doom and death – with the faster sections simply commanding the crowd to headbang, which they do, ecstatically.

They play a mix of both current songs such as 'Catatonic' and, excitingly, new tracks from their upcoming, as yet untitled album, such as 'Violence, Vanity and Neglect', which has a thick groove and an almost stoner metal feel.

There's a real symbiotic relationship between the crowd and the band, with Clarke in particular feeding of the waves of applause and relish washing over the stage. And when they close their set with the magnificently creepy 'The Right to Crawl', with its buzzing fly intro and masterful use of pace changes, the flailing hair in the room could power a wind turbine.

Once again, it's a visceral and thrilling set from this talented bunch.

The black/death metal scene in Northern Ireland is in gloriously rude health right now, as was made abundantly clear tonight by the three bands who played so convincingly and so ardently. Menacing, bloody and murky: the kind of music that punches you in the gut and gleefully eviscerates you. Oh yes.

Review by Melanie Black

Comments

Popular posts from this blog

LIVE review: Bloodstock 2016 - The Moshville Times

After hearing the last few songs of XII boar, I meandered over to the New Blood tent to catch the last bit of The Crawling (8) . Having a kind of doom sound mixed with death metal vocals, I was suitably impressed by them. The crowd present for them seemed to be too with a lot of folk banging their heads or fist pumping the air. Bloodstock 2016 – Friday (James’s view) The Moshville Times

CD review: 'Anatomy Of Loss' - Cadaver Garden

With a massive and overpowering sound, The Crawling comes out with Anatomy of Loss, their brand new upcoming seven track release. With the combination of death and doom metal as well as some dismal atmospheres, The Crawling creates a sound that is bitter, melancholic, angry, twisted and more and it all strikes at the heart of the listener. The sound is unmistakable and unavoidable once you press play, and as soon as you do you end up getting wrapped up in abyssal clouds of atmosphere and dark, dense and heavy death metal riddled doom. The Crawling begin Anatomy of Loss with An Immaculate Deception which hits you square in the chest with anvil heavy riffs and sledgehammer drumming and from then on the tone is set for the rest of the record. After the first few minutes of this release you understand just how heavy and monolithic it really is. Anatomy of Loss is a crushing release that engulfs you in bitter darkness for the entirety with not a single ray of light at the end of the aby...

CD review: 'Anatomy Of Loss' - Demonszone

ANATOMY OF LOSS is the debut album from the semi-sober Irish death metal band THE CRAWLING. A promising band with an even more promising album. After the release of their three track EP IN LIGHT OF DARK DAYS, I have been looking forward to hearing this record. In terms of style and sound, this album is very much more of the same. There is a vast selection of death metal riffing, each one being as catchy as the other thanks to having more emphasis on the rhythm rather then following the idiotic trend of how fast and extreme they could play. When the group aren’t thrashing out on their instruments, they are playing slow heavy chords that is best described as doom metal. These songs start off slow (a little too slow for my personal taste) and had they been a little longer, they would have been a little tedious. But THE CRAWLING seem to have enough common sense to realise that each song requires a good hook and just when things slow down, they burst into life with some mean riff. Both st...